William Graham Anthony died on December 24, 2022, of complications suffered after having rushed into a fire in his Westbeth apartment a week earlier.
William Graham Anthony died on December 24, 2022, of complications suffered after having rushed into a fire in his Westbeth apartment a week earlier.
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Contributed by John Mendelsohn / In 1971, Mike Robinson (as he called himself then) and I were in Adja Yunkers’s drawing class at Barnard College. At the end of the semester, Yunkers asked the class, “Who is going to be an artist?” Walter and I raised our hands, and were […]
Contributed by David Carrier / Over the years, I got to know Graham Nickson, the splendidly original English figurative artist who ran the New York Studio School and recently passed away, visiting his studio and writing a catalogue essay for him. Starting in the late 1980s, I lectured now and […]
The painter Anne Russinof, who lived and worked in Brooklyn for many years, died early Sunday morning, January 26. According to friends, the cause of death was cancer. Originally from Chicago, Anne was a graduate of the School of the Art Institute of Chicago and received an MFA from Pratt […]
Contributed by David Carrier / Just to the left of my writing desk is a painting of a magnificent tree with bright orange blossoms. Below it is a now faded postcard of a drawing of Barbara Westman, who died earlier this year at age 95, and her husband Arthur Danto […]
Two Coats of Paint has recently learned of the death of Gordon Fraser, a talented artist and art blogger who penned The Blind Swimmer, of a heart attack after undergoing a series of treatments for colon cancer.

Contributed by Lawre Stone / Lisa Sanditz paints landscapes that explore collisions between industry and the natural world. She has also addressed manufacturing hubs, industrial farms, and junk-food factories. In her solo show “Missing Mountain” at Alexandre, Sanditz turns to the impact of climate change on the Catskill Mountains, and with good reason. In the summer of 2023, the jet stream carried smoke from fossil-fuel-driven Canadian wildfires into the Hudson River Valley, turning the sky a dusty gray, dimming the sun to a hazy orange disk, and impeding views with airborne particles. Sanditz’s consternation inspired the three paintings that anchor this exhibition.

Contributed by Jacob Cartwright / There’s a quiet conversation happening on either side of the Grand Street subway stop between two artists who, measured as they are, have a lot to say to each other. To the west is Alison Hall’s “spirits (where the water tastes like wine)” at Kate Werble Gallery, to the east Pete Schulte’s “Neither-Nor Stone or Not Not-a-Rock” at McKenzie Fine Art. The more you look for correspondences the more you find, and the fact that their bodies of work are not overtly similar means that each stands to illuminate the other.

Contributed by Bill Arning / Teddy Sandoval, a gay Mexican American artist who died of AIDS in 1995, made such art copiously. “Teddy Sandoval and the Butch Gardens School of Art” at El Museo Del Barrio offers mostly small-scale Xerox punk zines, erotic magazine illustrations, album covers, decorative ceramics, and minuscule works on paper. It is an outstanding show. Its overflowing curatorial style, bringing in a dozen kindred artists, is a poignant reminder that artists’ trajectories are inseparable from their economic and social contexts.
