Conrad Vogel grew up in Briarcliff Manor, New York, graduated from Sarah Lawrence in 1977, traveled in Italy, and then moved to New York City where he lived as an artist for more than forty years.
Conrad Vogel grew up in Briarcliff Manor, New York, graduated from Sarah Lawrence in 1977, traveled in Italy, and then moved to New York City where he lived as an artist for more than forty years.
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Contributed by John Mendelsohn / In 1971, Mike Robinson (as he called himself then) and I were in Adja Yunkers’s drawing class at Barnard College. At the end of the semester, Yunkers asked the class, “Who is going to be an artist?” Walter and I raised our hands, and were […]
Contributed by David Carrier / Over the years, I got to know Graham Nickson, the splendidly original English figurative artist who ran the New York Studio School and recently passed away, visiting his studio and writing a catalogue essay for him. Starting in the late 1980s, I lectured now and […]
The painter Anne Russinof, who lived and worked in Brooklyn for many years, died early Sunday morning, January 26. According to friends, the cause of death was cancer. Originally from Chicago, Anne was a graduate of the School of the Art Institute of Chicago and received an MFA from Pratt […]
Contributed by David Carrier / Just to the left of my writing desk is a painting of a magnificent tree with bright orange blossoms. Below it is a now faded postcard of a drawing of Barbara Westman, who died earlier this year at age 95, and her husband Arthur Danto […]
Two Coats of Paint has recently learned of the death of Gordon Fraser, a talented artist and art blogger who penned The Blind Swimmer, of a heart attack after undergoing a series of treatments for colon cancer.

Contributed by Lucas Moran / Painting has died a thousand ersatz deaths, but artists are not immune to despair. Many of us are wondering what it’s all for. Nobody is buying art and we’re all grappling with media addiction. Through a haze of distress and distraction over political and cultural collapse, it’s tempting to dismiss traditional arguments for the importance of art even as a refuge from crisis. But that’s the attitude the billionaires and robots want us to adopt, wresting us so completely from joy and beauty that we remain glued to our tiny screens, held captive by reminders and notifications. Some of us keep trying to show anyone willing to look up that the world is a much bigger place. Rauschenberg achieved that kind of jolt in the 1950s with Monogram – a taxidermized Angora goat with a tire around its midsection, standing on a painted and collaged canvas laid horizontally on a platform. Perhaps to be an effective painter in the current existential mess, you need to show us your goat In his solo show “Compression” at D.D.D.D. gallery, Jan Dickey valiantly tries. His new large-scale works made me want to yell about painting what Dr. Frankenstein yelled about his monster: “It’s alive!”

What a night we had last night! I’m operating on very little sleep, but today I wanted to let you know that we are launching the 2026 Two Coats of Paint Year-End Fundraising Campaign. Because you are a Two Coats of Paint reader, I hope you’ll take the opportunity to invest in independent art writing and publishing for 2027.

Contributed by Sharon Butler / November settles in with the season’s full roster, and I’m looking forward to gettingt out and about. In Tribeca, Klaus von Nichtssagend presents Tamara Gonzales, Bortolami has Rebecca Morris, and CANADA shows Xylor Jane. Down on the Lower East Side, Shrine is showing Loren Erdrich, and Post Times has Fergus Feehily. In Chelsea, Petzel presents Tschabalala Self, Nicola Vassell Gallery has Pam Glick, Gagosian shows Julie Curtiss, and Skarstedt has Eric Fischl. Jason Stopa is at Morgan Lehman, and Sherrie Levine is at Galerie Buchholz. also have shows on view this month. If you find yourself in DUMBO, please stop by Springs Projects, 20 Jay Street, Suite 311B, to see “On Certain Grounds,” my show with Cate Holt. The opening is Thursday, Novembe 5, 6 – 8 pm.
